Tag Archives: corridos

Ariel Camacho, narcocorrido/Movimiento Alterado singer, dies

News out of Mexico is that another narcocorrido singer has died.

Ariel Camacho, lead singer of Los Plebes del Rancho, was killed Wednesday in a car accident in Sinaloa. He was 22.

Camacho was part of the Movimiento Alterado, which first grew out of Burbank, of all places, and drafted young singers, doing gigs at wedding parties and quinceneras in L.A. backyards, and transformed them into menacing narcosingers. d30d6e43f0b0850dc39097f43547e72b

The movement has now spread to Mexico and to other record labels. Camacho’s label was DEL Records.

The Altered Movement is known for especially graphic lyrics depicting drug violence, and for the praising the powerful, particularly well-known Sinaloa Cartel figures, in very noncorrido form. The corrido has typically exalted the lone, heroic figure – a man going up against power and probably doomed, but worthy of a song nevertheless.

MA, however, has made a fetish of praising powerful cartel leaders, among them Manuel Torres Felix, El Ondeado (the Unhinged), the late head of security for the Sinaloa Cartel.

All in all, narcocorrido singer has to be one of the region’s most dangerous profession. Beginning with Chalino Sanchez, whose life I wrote about in my first book and who was murdered in Sinaloa in 1992, numerous singers who followed in his footsteps have been killed. Sanchez’s son, Adan, also died in a car crash.

Saul Viera, El Gavilancillo, was shot to death outside a Denny’s in Bellflower in 1998. Among others to die are Valentin Elizalde, shot to death in Reynosa in 2006, and El Halcon de la Sierra, Fabian Ortega, in 2010.

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Filed under Culture, Drugs, Mexico, Uncategorized

The Hollywood Star of Los Tigres del Norte

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Los Tigres del Norte got a star on the Hollywood Walk of Fame today.

The only band that matters in Mexican pop music received their star on Hollywood Boulevard before hundreds of fans, Marco Antonio Solis – El Buki – and lots of glitzy Mexican TV reporters with impossibly tight and short skirts.

The boys got Star 2527, just outside the Buffalo Wings and Live Nation at Hollywood and La Brea. Not far from Lon Chaney and Ethel Merman, as it happens. So there’s that interesting juxtaposition for Hollywood, a district of the city that’s more about immigrants from Mexico and Central America (and Armenia and Thailand, for that matter) than it is about making movies these days, anyway.

The best way to understand Mexican immigrants, by the way, is to dissect the best Tigres’ corridos on the topic.

I recommend Pedro y Pablo, Ni Aqui Ni Alla, El Gringo y El Mexicano, Tres Veces Mojado, La Jaula de Oro, La Tumba del Mojado, El Mojado Acaudalado, A Quien Corresponda. Well, there are many.

Here’s a youtube video of La Jaula de Oro. “Whatcha talking about Dad? I don’t wanna go back to Mexico…”

And for machismo drenched in melodrama, nothing compares to El Tahur.

Some of the best drug ballads in Spanish have come from LTN: El Avion de la Muerte, Pacas de a Kilo, Camioneta Gris, and of course, the song with the first sound effects in Mexican music (gunshots), Contrabando y Traicion.

The first great political corrido in Mexican pop was theirs: El Circo, about ex-president of Mexico Carlos Salinas de Gortari and his brother, Raul.

Their first album in four years, La Bala, is ready to drop in October. The single from the album is the story of a family whose 18-year-old son is involved with cartels and whose rivals come looking for him and kill his 7 -year-old brother with a stray bullet.

Here’s a bunch of photos I took when traveling with the band many years ago.

 

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Filed under California, Culture, Los Angeles, Mexico, Migrants